Monday 16 March 2015

Cadida Hofer

Candida Hofer

Psychology of the social architecture
Her photographs are taken from a classic straight-on frontal angle or seek a diagonal in the composition.[6] She tends to shoot each actionless room from an elevated vantage point near one wall so that the far wall is centered within the resulting image. From her earliest creations, she has been interested in representing public spaces such as museums, libraries, national archives, or opera houses devoid of all human presence


Her pictures are interesting as the geometry of the photographs are perfect, each is exactly the same, yet different as each building is different. They explore the social world we live in. One cannot go about their daily lives without coming into direct contact with different buildings and different styles, all this subconscious underlying our day to day activities has an effect on who we are.


Its hard to pick a favourite Candida Hofer image, as they are all technically perfect and taken from similar viewpoints, they are all the same, to pick one would just be to pick my favourite aesthetically pleasing interior. I feel as if each pthotgraph is the perfect result, that she could have gone to the same building on any day and walked around the entire space, and each time she would take precisely the same shot.


I researched Candida Hofer because I have ideas of taking geometric photographs, this is something that interests me in my own photography.

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